This holiday card is courtesy of my friend Zel McCarthy. I’ll let it marinate for a bit.
This most obvious example of equating women to objects of consumption tries to downplay the offense by making the image as absurd as possible, and by utilizing the tag lines popular culture women’s magazines to give the viewer a chuckle. By sexualizing the meat, and by sexualizing it in a distinctly feminine way, both women and animals get to be conquered and devoured! Women are downgraded to turkeys, and turkeys are eaten. What I think is particularly interesting about the decision to put the feminized turkey on the cover of the magazine is how the image then also gets to denigrate the element of women that our culture has deemed most important – trying to stay “hot and moist” [shudder], the best ways to look “delicious” [you want to look so attractive that others just can’t resist gnawing on you], the “must have” items of the moment [because consumerism is such a female issue?] and of course, most vitally, the breasts – the most important part of a woman AND a turkey.
Of course, the emphasis on looks is something that I often disparage about “women’s” magazines, and obviously consider to be dangerous and harmful. However. This turkey ad is mocking these headlines not because they are offensive or denigrating to women, which they are – they are mocking them simply because they are female, because they have taken the spotlight as the primary female concerns of our culture, and the ad gets to make it look like women are both ridiculous for buying into these themes, while also promoting them by creating an object of appeal based on these themes. It’s as though they’re saying “women are so silly for promoting themselves sexually, for focusing on hotness and perkiness and the need to appear deliciously irresistible” while also saying “look at how hot and sexy and perky this lady turkey is – so hot and sexy and perky that she’s simply irresistible.”
Generally, we separate the meat we’re eating from its former ‘self’, the animal, otherwise there would be more difficulty in consuming meat with such regularity and frequency. Interestingly, when the meat anthropomorphized into the form of a woman, it remains marketable – women are routinely objectified, and also are separated from their self and human identity in doing so. Combining two beings, a turkey and a woman, that are both customarily presented as being without a meaningful character and for the viewer or eater’s pleasure, makes this card seem totally acceptable for raking in some holiday profits (apparently).
If you’re interested in reading more about the connection between the treatment of animals and feminism, and the real foundation for the point I just made, I recommend the work of Carol Adams. Her books, The Sexual Politics of Meat and The Pornography of Meat are great works, and even if you aren’t interested in animal rights or vegetarianism and how one might relate them to feminism, the books do a great job of dissecting the overlap of social and political issues around the processing of meat for consumption, the treatment of women, and the advertising of both.
For real: Happy Thanksgiving! I hope you all have a great holiday!