Category Archives: Gender Stereotyping

99 Problems But A Gay Ain’t One: A Look at Gay Men and Reality Television

Our next guest post is by Zel McCarthy. Zel is a media professional and blogger based in Los Angeles. He tweets about music, politics, and nail polish at @ZelMcCarthy.

On a recent episode of Bravo’s show Most Eligible Dallas, likable girl-next-door Courtney told the camera about how much she enjoys her friendships with gay men. As she put it, paraphrasing Jay-Z, “I’ve got 99 problems but a gay ain’t one.”

In the following episodes that would prove to be true, even as one of her gay friends, Drew, picked a public fight with her over some mysterious and vague issue loosely regarding a lack of attention. That’s how friendships work on reality television: paradise to category 5 in a single episode. Truly, Drew is never a major problem for Courtney. While she hates when anyone dislikes her, Courtney’s biggest issue is (of course) finding a husband, who may or not be her best friend Matt.

It’s always bothered me when someone converts the word “gay” from adjective to noun. Comedian and Bravo star Kathy Griffin practically pioneered the noun-ing of “gay” by frequently referring to her homosexual friends, fans, and followers as “my gays.” Even if it’s not being used pejoratively, it’s always reductive. Instead of a person or man or even a self-obsessed reality TV personality, he is merely a sexual orientation. (Mind you, the phrase is never used to refer to gay women. They are excluded almost completely from Bravo’s narrative of gender and sexuality in society.)

Even more bothersome, however, is that gay characters on reality TV are so marginalized and stereotypical that they never get to be someone’s problem, much less have problems of their own. In fact, aside from fueling the on-screen drama necessary for its programming to function, gay men on Bravo’s slate of shows, like Drew from Dallas, are ubiquitous but never problematic because they are never the central figure of a story.

Whether watching the Real Housewives franchise, The Rachel Zoe ProjectPregnant In HeelsMiami Social, or Bethenny, the message is clear: if you are a gay man, you can be a human accessory in a rich woman’s life. From Jill Zarin’s “gay husband” to Kyle Richards’ “ladysitter” to the coterie of hairstylists, decorators, and event planners orbiting around an endless supply of narcissistic women, gay men are written to serve two functions: enhance the aesthetics of their mistresses, and act as a stand-in for the straight men in their life.

Even gay designer Jeff Lewis, star of Flipping Out, whose caustic outbursts at his employees pull focus from the window treatments, doesn’t get to be the star of his own life. He’s constantly appeasing the whims and fancies of the rich white ladies who hire him to revamp their homes. Through several years on the show (and a rough economy), we’ve watched the once successful house-flipper turn into a driveling decorator so desperate for the next job he’ll screw over his best friends to get it.

Meanwhile, the straight men (husbands, boyfriends, that sort of thing) serve as a foil to these flamboyant and endlessly problem-free gay men. The straights, such as they are, are coded as “real men.” They are fully sexualized, integrated into society with jobs, off-camera friendships, hobbies far beyond the confines of the feminized reality TV world, and comical only when they don’t understand the flurry around the importance of a pair of shoes or lighting at a party. On the axis of characters, they’re the rational yin to the emotional yang of gay men. Cheapened to stereotypes, gay men on reality TV become little more than well-dressed, occasionally articulate, placeholders in the lives of women.

These supporting characters of Bravo have become the reality embodiment of an archetypal role writer and comedian David Rakoff once named Fudgey McPacker. Without a life of his own, Fudgey stands on the sidelines, cheering on the leading lady, occasionally offering sassy retorts and painfully obvious tokens of wisdom. He gets to tell his girlfriends things like “girl, don’t you know he loves you,” before she runs to her leading man’s arms and they live happily ever after while Fudgey presumably disappears or finds another lady to devote his life to. Like Fudgey before them, the Brads, Dwights, LTs, Joeys, and Shawns of Bravo don’t get to have many independent storylines of their own; their on-screen characters don’t have their own essence. When they try to, they’re quickly jettisoned off the show (see Cedric from The Real Housewives of Beverly Hills).

While all media reflects the values of its culture, we look to reality TV to see our culture reflected, however misguided that notion is. I have often said to my friends that the gay community is so desperate for recognition it accepts any representation of itself on screen, no matter how negative. A glance at Logo’s The A List would prove that point handily, but also, consider how fervent Bravo’s gay audience is, despite the continued marginalization of its gay characters. I’d even say that there’s a certain comfort in seeing a stereotypical gay character; it validates one singular version of gay identity without straying beyond a previously accepted boundary.

Does anyone think that’s good enough?

We all know by now what reality TV is (scripted, sensational, entertaining) and what it isn’t (reality). Perhaps it’s a sign of progress that gay men have become a secondary staple of the genre and a lynchpin of nearly every Bravo series. But let there be no doubt about the space these characters inhabit: the periphery in the lives of a cadre of superficial women.

Ain’t that one bitch of a problem?

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Filed under Defining Gender, Gender Stereotyping, Homophobia, Pop Culture

How Images and Ads Impact Self-Image and Human Development

I got a lot of traffic and messages about my recent post regarding Duke Nukem. People in the gaming community condemned it for its lack of originality, how it strayed from the original premise of apparently ostensibly mocking the ’80s action-hero genre, and how it overall disappointed those who are used to more complex and engaging videos. Some replies also included people needing to “get over it” when discussing images of coerced sexual activity or the game’s encouragement of merging violent and sexually explicit content together (I don’t post comments that are condescending or don’t encourage dialogue), something I found…disturbing. My initial argument, however, did not change – that is, that the imagery and the actions the gamer supposes in this video are tragically abusive and in fact detrimental to both men and women.

Many gamers also respond that they know when they are playing a game, and that their non-virtual socializing is not impacted by the game’s content. This, along with the recent news that the American Medical Association finally condemned the use of photoshopping in advertising campaigns and photo shoots, got me thinking about what repeated exposure to images and actions actually does to our brain and with who and what we identify.

A well-known study published in the Journal of Consumer Research found that repeated exposure to images and advertisements ultimately were processed in people the same way actual experiences were processed. That is, if you see or watch something enough times – in a video game, in a fashion magazine in which models are photoshopped to near obscurity, in a parent abusing your sibling – you begin to process it as though it was you yourself experiencing the act and identify with the “player” (model, game character) you are watching. You see enough pictures of a model like this:


And you begin to think you are supposed to align yourself with her, that this image is what is normal (the image on the right was criticized heavily in 2009 for being so drastically photoshopped). After so many exposures, you begin to mold yourself after her, to think that since this is how we project women for adoration in our culture, that you should begin appropriating yourself to match her image. Just like a gamer, after so many exposures, can begin to mold themselves after the image of the character they are impersonating in a game. And while they may not go out on a shooting spree, they are desensitized to the effects of that reality, just as they are desensitized to the effects of coerced sex in a game, which can lead to difficulty distinguishing that from a healthy sexual relationship.

As I have also discussed in previous posts, a foundational theory in behavioral science and education is the Social-Cognitive Theory, which has informed educators and psychologists for years in explaining that people learn by watching, and that even one observation of a behavior can influence perspective. It also importantly points out that while full on adoption of behaviors witnessed may not occur, the more we see, the more our attitudes and beliefs about them change. This can be good and bad. It can make us more accepting of others’ opinions and outlooks, and it can also desensitize and normalize the opinions and behaviors that are harmful.

We’re humans. We learn by watching, by then mimicking and imitating what we observe. It doesn’t happen all at once, which is why fashion moguls or game designers claim they have no real impact. Are girls entering periods of self-mandated starving as soon as they open this month’s Vogue? Are adolescent boys heading to the hills for a sawed off shotgun fight after the first round of Duke or stealing cars after playing the new Grand Theft Auto? No, of course not. But can it impact their sense of compassion, affect their interpersonal relationships? Can it make violence seem less threatening, less damaging, and less impacting than it is? Yes. Can that change the way people behave, from nuance to imitation? Sure. Even researchers who admit that it won’t necessarily turn children violent admit that’s likely true (and, interestingly, still disallow their children to play). Human development takes time – language acquisition, understanding of and the processing of visual messages, being able to comprehend meaning from a block of text – these are all cognitive functions that take years to develop and perfect, and their influence lies in the words and actions of children’s families, friends, teachers. Unfortunately, messages of gender have been largely commandeered by the media. And the repeated exposure, over years, to these specifics of models’ physical appearance has resulted in the erosion of self-confidence that many girls and women – and boys and men – experience as young children becoming adolescents. And the repeated exposure, over years, to the specifics of war, sexual violence, and the presentation of hyper-masculinity, can also result in the erosion of what kind of impact violence truly has, as they become desensitized, and what a healthy understanding of and relationship with the opposite sex is (as opposed to its portrayal in my Duke Nukem piece). As the study articulated, it’s about changing people over time, it’s about how perceptions and perspectives change when a new definition of the norm that is not contested or dissected – a Ralph Lauren model, a Duke Nukem – enters the picture. Women who suffer from eating disorders and body dysmorphia, while not blaming the fashion industry, have emphatically articulated that it certainly has had an impact as it normalized this destructive self-image and behavior.

I think it’s also relevant here to bring up the Supreme Court’s decision about a week ago to shoot down California’s attempt to ban the sale of violent video games to children. Timothy Egan, a Times columnist, had a great commentary on this, noting how ridiculous it seems for there to be a perpetual ban on nudity and sexually explicit images, but not on virtually dismembering a human or sexually assaulting a woman. It does seem…well, more than troubling, that a game in which a player can simulate murder and rape is protected by free speech but a bare breast is the height of vulgarity. (I found a great post from a female gamer about this kind of sexual violence in video games, and I agree with her assertion that sexual expression can in fact exist without it also involving violence and degradation.) I don’t think any of the representations of sexuality that I have seen in video games are appropriate for children because they overwhelmingly associate it with abuse and/or coercion (I’ve done a lot of viewing in the past couple days after my Duke Nukem post). To say that sexuality would have a more harmful impact than violence seems questionable, when representations of both are equally unhealthy.

It should also be said that I am far from someone who believes nudity and sexuality itself is vulgar. I celebrate and support healthy (and protected!) sexual expression in any way the individual consents and desires. I firmly believe that discussions of sex and sexuality should be brought up early on, so children can ask questions, be informed, protect themselves when they do engage in sex, and have an understanding of what a respectful, consensual sexual relationship is. I also believe that when these discussions in families don’t take place, and when sex is a taboo topic, that it is a disservice to these children, and that any confusion they have about sex or uncertainty about what a healthy sex life actually is will be magnified by the messages the media sends them.  I’m an advocate of early onset, comprehensive sexual health and reproductive health education. Sex shouldn’t be confusing, and it shouldn’t be stigmatized. Sexual violence, however, and a misappropriation of the presentation of sexual relationships that are abusive, coercive, and violent, should be condemned.

This is also why a diversity of exposures is important. It’s important to not be inundated with the same message over and over again. Advertisers know that repeated exposure is key to getting people to buy what they want to sell. If you see an image of a Coke bottle once, it won’t register with much impact. If you see it every time your favorite TV show breaks for commercial, when you’re leafing through the pages of a magazine, when you’re driving down a freeway and it’s up on a billboard, when you’re listening to the radio and it breaks for the Coke jingle – it adds up, as do afternoons in front of a game console, as do hours reading “women’s” magazines and fashion spreads, as do episodes of spousal or child abuse, (which we know increases the likelihood of the child being in an abusive relationship him/herself and hampers healthy development – the others are logical extensions, to a lesser degree). We have to have enough positive images, positive games, positive and healthy discourse about relationships to not just equal the stream of negative imagery and messaging, but to overtake it. Positive, healthy messages, not abusive, harmful, violent messages, have to be in the majority. The norm. It’s nice that the docs finally said so.


Filed under Advertising, Child Development and Child Health, Defining Gender, Feminism, Gender Stereotyping, Media, Mental Health, Pop Culture, Public Health, Sexism, Violence